A very delicate Japanese Satsuma Miniature Cup, by Soko China. Circa: 20th century, Japan. H: 5.8cm

A beautiful Kinkozan Satsuma Vase, of flying Dragons. One dragon has expanded wings! Circa: early 20th century, Japan. H: 11.5” inches.
Some breaks, damages, and restorations.

A beautiful Kinkozan Satsuma Vase, of flying Dragons. One dragon has expanded wings! Circa: early 20th century, Japan. H: 11.5” inches.

Some breaks, damages, and restorations.

An elegant Vintage Kinkozan Satsuma Creamer, with overglaze enamel decorations.

An elegant Vintage Kinkozan Satsuma Creamer, with overglaze enamel decorations.

My first Japanese Satsuma charger that depicts Gama Sennin (蝦蟇仙人), holding a frog. His face is total unrecognizable. Circa: late 19th to early 20th century, Japan.

My first Japanese Satsuma charger that depicts Gama Sennin (蝦蟇仙人), holding a frog. His face is total unrecognizable. Circa: late 19th to early 20th century, Japan.

Japanese Satsuma Bowl, Meiji Period (late 19th to early 20th century).
Creamy body, with dense earthenware (feels a bit heavier compared to American studio satsuma). The decorations on the surface are also different; old Satsuma has a smooth feel. If you trace you hands over the American-painted satsuma, you can feel the roughness of the paint over the earthenware (dry, sandy, a bit more pores). Old satsuma feels smooth, much denser, almost like touching a porcelain glaze.

Japanese Satsuma Bowl, Meiji Period (late 19th to early 20th century).

Creamy body, with dense earthenware (feels a bit heavier compared to American studio satsuma). The decorations on the surface are also different; old Satsuma has a smooth feel. If you trace you hands over the American-painted satsuma, you can feel the roughness of the paint over the earthenware (dry, sandy, a bit more pores). Old satsuma feels smooth, much denser, almost like touching a porcelain glaze.